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08896_Field_TCGG T661.txt
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1996-04-10
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621b
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11 lines
Bacchanal outright, and made no more bones but sprang
after him, and so resigned up her priesthood, and left
work for Musaeus and Kit Marlowe.
Just how much the circumstances affected not only the
structure of music but of language and music, appears in John
Hollander’s discussion of the Elizabethan theatres (The
Untuning of the Sky , p. 147) with their elaborate use of music
in signalling functions and the necessity of incorporating all
music except these signals into the plot of the play itself. “The
small coterie theatres of the city . . . followed the masque . . .”